{"id":902,"date":"2018-06-25T10:51:42","date_gmt":"2018-06-25T10:51:42","guid":{"rendered":"http:\/\/irgal.es\/?page_id=902"},"modified":"2020-11-09T17:53:16","modified_gmt":"2020-11-09T16:53:16","slug":"irene-basanta-pin","status":"publish","type":"page","link":"https:\/\/irgal.es\/?page_id=902","title":{"rendered":"Vanesa Rold\u00e1n Romero"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;3.22.3&#8243;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;3.25&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;http:\/\/irgal.es\/wp-content\/uploads\/2020\/11\/Captura-de-pantalla-2020-11-09-a-las-17.46.22-e1604940467352.png&#8221; _builder_version=&#8221;3.25.3&#8243; custom_padding=&#8221;|38px||56px||&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;3.25.3&#8243; custom_padding=&#8221;||0px|||&#8221;]<\/p>\n<h4 style=\"text-align: center;\"><strong>Vanesa Rold\u00e1n Romero<\/strong><\/h4>\n<p style=\"text-align: center;\"><a href=\"mailto:vanesa.roldan@usc.es\">vanesa.roldan@usc.es<\/a><\/p>\n<p><strong>Vanesa Rold\u00e1n Romero<\/strong>\u00a0holds a BA in English Studies (2017) and an MA in English Literature and Linguistics (2018) from the University of Granada. She is currently working on her doctoral dissertation under the supervision of Dr. Manuela Palacios Gonz\u00e1lez (USC) and Dr. Margarita Carretero Gonz\u00e1lez (UGR). Provisionally entitled \u201cThe Animal Trope in Contemporary Irish Fiction,\u201d the dissertation explores how the animal trope has been used in contemporary fiction by three Irish female writers and the ethical consequences of each approach. She is a member of the group of competitive reference <a href=\"https:\/\/discursoeidentidade.com\/?page_id=92&amp;lang=es\">Discourse &amp; Identity<\/a> (GRC2015\/002 GI-1924, Xunta de Galicia). Her main research interests include contemporary Irish literature, ecocriticism, posthumanism, and non-human ethics.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.25&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;3.0.101&#8243;]<\/p>\n<div class='et-box et-shadow'>\n\t\t\t\t\t<div class='et-box-content'>Relevant contributions:<\/p>\n<p>\u201cColonising the Non-Human Other in Contemporary Ireland.\u201d <em>Liminal Identities: Nature, Culture and Society, <\/em>University of Santiago de Compostela, 5 October 2020.<\/p>\n<p>\u201cTranshumanist Contraceptives in June Caldwell\u2019s \u2018The Implant.\u2019\u201d <em>Journal of Posthuman Studies <\/em>4. 1 (2020): 96-106. doi: 10.5325\/jpoststud.4.1.0096<\/p>\n<p>\u201cParodying the Past to Subvert the Present in Jasper Fforde\u2019s Nextian Series.\u201d <em>Alternative Realities: New Challenges for American Literature in the Era of Trump<\/em>, UCD Clinton Institute for American Studies, 14 December 2019.<\/p>\n<p>\u201cPatriarchal Cloning in Jasper Fforde\u2019s The Woman Who Died a Lot.\u201d <em>43<sup>rd<\/sup> Annual AEDEAN Conference,<\/em> University of Alicante, 13 November 2019.<\/p>\n<p>\u201cProsthetic Contraceptuves in June Caldwell\u2019s <em>Room Little Darker.\u201d<\/em> <em>XXII Simposio de la SELGYC,<\/em> University of Granada, 15 March 2019.<\/p>\n<p>\u201cHybrid Identities in Jasper Fforde\u2019s <em>The Woman Who Died a Lot.\u201d 10<sup>th<\/sup> Beyond Humanism Conference,<\/em> University of Lower Silesia, 19 July 2018.<\/p><\/div><\/div>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vanesa Rold\u00e1n Romero vanesa.roldan@usc.es Vanesa Rold\u00e1n Romero\u00a0holds a BA in English Studies (2017) and an MA in English Literature and Linguistics (2018) from the University of Granada. She is currently working on her doctoral dissertation under the supervision of Dr. Manuela Palacios Gonz\u00e1lez (USC) and Dr. Margarita Carretero Gonz\u00e1lez (UGR). Provisionally entitled \u201cThe Animal Trope [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":779,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-902","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/irgal.es\/index.php?rest_route=\/wp\/v2\/pages\/902","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/irgal.es\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/irgal.es\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/irgal.es\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/irgal.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=902"}],"version-history":[{"count":8,"href":"https:\/\/irgal.es\/index.php?rest_route=\/wp\/v2\/pages\/902\/revisions"}],"predecessor-version":[{"id":1477,"href":"https:\/\/irgal.es\/index.php?rest_route=\/wp\/v2\/pages\/902\/revisions\/1477"}],"up":[{"embeddable":true,"href":"https:\/\/irgal.es\/index.php?rest_route=\/wp\/v2\/pages\/779"}],"wp:attachment":[{"href":"https:\/\/irgal.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=902"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}